Hometown Hero: Margaret Bach

Documentary filmmaker, historic preservationist, writer, interior designer: Margaret Bach wove her interest in film, history, architecture and the built environment into the pattern of her life work.

In the 1970’s she worked on the restoration and historic designation of the Horatio West Court; made the documentary film, “Landscape With Angels”; received her MFA from UCLA; worked at KCET on the LA History Film Series; and worked at LACMA producing a film series showing how movies have portrayed Los Angeles.

Margaret and her husband, screenwriter Danilo Bach, a young couple in 1973, were house hunting when they learned the Horatio West Court designed by renowned architect Irving Gill was up for sale. In spite of the terrible condition of the buildings and its frightening occupancy by drug addicts, the Bachs and three other couples decided to restore the buildings as a place to live. On the day escrow closed, City police, who were all too well aware of the problems on the site, showed up to oversee the safe transfer of the property from the squatting drug addicts to the proud and hopeful new owners.

When the City of Los Angeles planned to sell the Bertram Goodhue designed Los Angeles Central Library, Margaret worked on the LA AIA report, “The Light of Learning”, a history and defense of the Library. Out of the effort to save the Library, the Los Angeles Conservancy was founded. Margaret was both a founding member and, in 1978, its first president. An interesting historical footnote is that Ruthann Lehrer was the first Executive Director of the LA Conservancy and both Margaret and Ruthann now sit on the Santa Monica Landmarks Commission.

The first time Margaret sat on the Santa Monica Landmarks Commission, Clo Hoover was Mayor. Margaret turned her attention and support to the South Beach Tract, the General Telephone building on Barnard (now the Eli Broad Art Foundation building), and the 3^rd Street Development Corporation. That work contributed to the preservation of the South Beach bungalow neighborhood, the stopping of the faux facelift planned for the old telephone switching station, and the renewal of the 3^rd Street Promenade.

The Bachs moved from the Horatio West Court in the 1980’s and looked for another ‘fixer upper’ that could accommodate their growing family. They bought the house of the early 1900’s Santa Monica developer and realtor, Frank Bundy. Over the years they restored and added to the old house.

With two sons, Margaret focused on contributing to the schools, including serving as PTA President at Roosevelt and, after her sons went to college, working on the renovation of Barnum Hall. Margaret wrote grant applications, including the application for the restoration of the Barnum Hall fire curtain designed by the well-respected Southern California artist, Stanton McDonald-Wright, as part of the WPA artists program.

Continuing her interest in the built environment, Margaret agreed to be a grant writer for St. Johns Hospital after it was damaged in the 1994 earthquake. She also used her knowledge of architecture and her writing skills at the office of Santa Monica architects Hank Koning and Julie Eizenberg.

She is the author of “Cottages in the Sun”, publication date March 2010, and now has her own design studio. margaretbachdesign.asidla.org “I have a clear, childhood memory of the Santa Fe Super Chief. Although I wasn’t old enough to know the train I was riding on was in the Streamline Moderne Style, I knew the train was beautiful and I was captivated by the colors of the train, the colors of the southwest. Being on the train I felt a complete sense of wellbeing and balance, which is what I try to accomplish through my work.”

Margaret names Palisades Park as “one of the great places in the world. It is a place that matters and the places that matter will only be preserved when people care.” And it’s just like “Maggie,” as her long time friends call her, that her favorite tableware, from the vintage Edwin Knowles China Company, is named the “Santa Monica” pattern.

What Say You: A City Defined By Its Landmarks

Arcadia Bandini de Stearns Baker, one of the original Ranchero owners and part of a powerful family, gave the City, then just a few years old, our now iconic Palisades Park. City Hall, designed in the streamline moderne style by Donald Parkinson, was a WPA project. Irving Gill, one of California’s most important architects, designed the Horatio West Courts.

Built in 1919 the Horatio West Courts on Hollister were a forerunner of the modern style in architecture. By the early 1970’s they had fallen into complete disrepair. As a young couple, Margaret and Danilo Bach, had the vision and the courage to move in and begin the restoration of the Courts. And by so doing saved the Courts for all of us.

Santa Monica now has over 90 landmarked buildings. This past Sunday,
I joined 25 other Santa Monicans on a Santa Monica Conservancy tour led by Marcelo Vavala, who is an architectural historian and a past president of the Conservancy. Among the 45 we saw: the Strick House on La Mesa, a mid-century modern building, designed by the world famous architect Oscar Neimeyer; the adobe house on 4th and Georgina, designed by John Byers; the Pier, another WPA project; the Georgian and Shangri La hotels; the Lido, an Art Deco hotel; Phillips Church, a cultural monument; the Spanish Colonial Revival Sovereign apartment hotel; and many bungalows and cottages.

A1901 beach bungalow is now home to Joel Brand, Kristina Deutsch and their sons. Joel Brand, also a past president of the Conservancy, only learned how important historic preservation was to him after he moved to Santa Monica. “Friends started to point out the importance of older buildings in our urban landscape, I realized that Santa Monica is defined by these historic treasures. This architecture plays a large part in fostering the small town, neighborly sensibilities that makes our community such a wonderful place to call home. I see that play out on my street, in my neighborhood and across the city and it's the silent foundation upon which is built so much that is wonderful about Santa Monica.”

“Santa Monica is one of California's most architecturally, culturally, and historically significant communities,” states Conservancy President Carol Lemlein. “The Conservancy is a strong voice for preservation. We train docents for the Beach House, we are working to provide a Preservation Resource Center in the Shotgun house, and, under a Cultural Affairs grant, will offer docent guided tours of Palisades Park this coming spring.”

Importantly, as advocates for preservation, the Conservancy speaks for preservation to be part of the new LUCE (Land Use and Circulation Element). Representing the Conservancy’s 400 members, Carol Lemlein has asked “that historic preservation be clearly articulated as a community value and that the LUCE specifically refers to historic preservation as an essential part of neighborhood preservation.”

In the LUCE workshops it is clear that preservation values have broad support among City residents. Margaret Bach, now a Landmarks Commissioner and the Founding President of the Los Angeles Conservancy, suggests that we join the goals of creating housing with historic preservation, “a rethinking of our existing housing stock to understand how we could express the City’s goals for affordable and work force housing through the preservation of existing buildings – preserving and enhancing a sense of place, landscape and green space as we create more opportunities for affordable and workforce housing at the same time that we protect the character of our neighborhoods.”

“The City is listening.” Francis Phipps, the LUCE consultant on Historic and Neighborhood Preservation, explains “the LUCE treats historic preservation as a central measure to protect the character of Santa Monica as it has evolved over time through preservation of landmark buildings, in a formal process, and through the creation of Conservation Districts, in a neighborhood process.”

Once again, Santa Monicans have spoken in favor of the buildings and places that create our sense of place, our collective past and our desire to carry our values into the future. So what say you? Sunday brunch on the porch of a bungalow, a drink at the Shangri LA, a family afternoon on the Pier, toddler story time at the Ocean Park Library, a run in Palisades Park?