January 19, 2013

Honoring Reverend Martin Luther King Jr.


 
 
Reverend Martin Luther King Jr.
   Courtesy Photo
SUSAN CLOKE
Columnist, Santa Monica Mirror
Georgia. Summer 1965.
 
There were 17 of us walking in an orderly line, as directed by the Deputy Sheriff of Baker County. I recognized some of the faces from church and some were new to me. No one was talking. We didn’t know what to expect. We were all nervous and all wanting to appear strong. 
 
Just a few moments earlier we had been on the sidewalk in front of the Baker County Georgia Courthouse walking carefully and singing freedom songs quietly. Some of us, I among them, had attempted to walk into the courthouse with the people who were going to try to register to vote.

I was a white, 18 year old college student from California working with the Student NonViolent Coordinating Committee. I was there to give witness and to support the people trying to register to vote.

Newton GA, the capitol of Baker County, was a poor town. It’s red brick courthouse sat in the center of a small city block of unhappy grass, a telephone booth on the front lawn, and not much else.

We had been arrested for ‘disturbing the peace’ and ‘creating a public nuisance.’ The jail ahead of us was a concrete box with openings where the windows were meant to be. The cells were metal bars of walls, divided into four, inside the concrete block structure.

Typically for the time of year the day was hot, dusty, and without a breeze. I looked at the others, looking for clues as to how to act. And I looked at the Sheriffs, wondering what they were thinking and worrying that, as the only white person, I would get singled out for ‘special’ treatment, which might be worse than the others or it might be better, but in either case it would isolate me from the others and I didn’t want that.

We weren’t booked right away. Instead we were put directly into the cells. In the cell I was in people were curious about me. They all knew there was a white girl come to be a civil rights worker, but they didn’t all know me.

One woman, a very large and solidly strong black woman called AJ, was put in a cell by herself. She was known to the sheriffs and I thought they were afraid of her. I’d heard her speak in church and had heard her say she could paint a house in a day and pick cotton better than any man.

Our cell was crowded. We took turns lying down on the dirty, uncovered mattresses. June bugs, huge beetles, came in through the openings where the windows should have been and competed for room in the cell. The toilet was a hole in the corner. I thought not eating was a good idea and eagerly joined in when a hunger strike was called.

Each morning the Deputy Sheriff would come in with a plate for each of us with a large spoonful of grits, one slice of wonder bread and a tin cup of dark water he labeled ‘coffee.’ Each evening he again brought a plate for each of us. Beans replaced the grits in the evening meal. Everything else stayed the same. That made it real easy to stay on the hunger strike.

But not AJ, she ate the plate of food brought to her and then we passed our plates through the bars to her and she ate most of ours.

We sang, we tried to sleep, and we talked. It was the beginning of my conscious understanding that while we all lived in the same geographical world and at the same time in history, there are a multitude of cultural worlds in the United States.

At first I did more listening than talking. There was so much to see and to hear and to think about. It was all consuming.

On about the third day my hair, which I had put up on my head and tied a scarf around, came down. I had no brush, no way to put it back up.

The Deputy Sheriff came into the jail with our usual morning plates and practically dropped the plates when he saw me. “You're white!” he said.

I hadn’t realized he hadn’t known this already. It was an ‘aha moment’ for me as I realized his prejudiced belief system had interfered with his ability to see the person who was right in front of him.

“I don’t have another cell. What am I going to do?” he was genuinely concerned. I think for me, because from his point of view, how could I be okay with sharing a jail cell with ‘n…s.’ (The word all the sheriffs used when they talked to any of us.) And concerned for himself as he was sure to get into trouble with his boss, Sherriff L Warren Johnson.

L. Warren Johnson was a man so mean it was hard to believe. He used to boast that he’d killed 49 people. When he was younger he was part of a posse that had brutally tortured and then hanged a black man. That lynching trial went all the way to the Supreme Court in the notorious Screws Case.

I answered the Deputy’s worries and said I would stay in the cell with my friends but that he needed to bring us food we could eat. I asked for fresh water with ice, for apples and, still being a teenager, I asked for cookies.

Unbelievably, he started to bring better food and he brought the water, the apples and cookies. I talked to him and was as friendly as I could be and still be honest.

During the time I was in jail my parents were understandably terrified. My mother and her friends decided they would call the Congress in Washington every day. Their message was, “Susan is in Baker County GA in a jail cell because she is doing the work the American government should be doing. What are you doing to keep her safe?”

One Congressman set up a daily telephone call with me. At noon the Deputy Sheriff would take me out of the cell and walk me across the street to the lone telephone booth in front of the Courthouse. I would wait outside, in the noontime sun, for the phone to ring. The routine was the same every day. He would answer the phone and then he would get me and tell me to go into the phone booth and that I should tell the Congressman I was okay. He would then walk me back to the jail.

The news of these daily phone calls got out and I became a spectacle for some of the local, white men. They would wait for the Sheriff to bring me out and then they would say terrible things to me.

Like in fairy tales, they looked as evil as they were mean. One stringy elderly man had stained teeth and mouth from chewing tobacco. Brown spittle would drool down his face as he was jeering me. Another, father and son I think, both had huge bellies that hung over their belts, belts that were needed because they had no hips and spindly legs.

The jeers were usually sexual. In any case, that’s all they talked about to me. Following civil rights/non-violence training I kept silent and didn’t engage with them in any way.

Then there was a day when the talk became menacing and violent, “you are going to end up at the bottom of Flint River and no one will ever find you.”

When I went back to the jail cell I thought about what I might do. I decided to talk to them. I was not putting anyone but myself at risk.

I had the confidence of a young woman who had been respectfully treated all her life and I thought, that if I really talked to the small group of miserable looking men who had been taunting me for days, it might make a difference.

Something about all the hatred was so wrong. Not wrong in the moral sense, which, of course it was, but wrong in the sense of being ‘off.’

How could it be that people of color could be trusted to raise white babies, be the nannies to white children, cook and care for white families in sickness and health, be on such physically intimate terms and still not be ‘clean’ enough to share a public bathroom or drink at a public drinking fountain, or eat in a public restaurant.

The rules of Jim Crow were not only immoral they made no sense. To me it was a surreal world. I didn’t know most of the ‘rules’ and so was forever doing something ‘wrong.’

The next day at noon the taunting started again. I was ready to do something else that broke the surreal rules of the Jim Crow South.

“You’re hurting my feelings,” I said in a soft and sad voice.

“We are?” I had startled them. I had broken my silence. My voice was unhappy but not angry. In that moment I began to make myself a person to them.

They were curious about me, in a bad way. They began to ask personal questions about my life. Mostly mean questions.

I talked about going to college and how I loved reading. I talked about California and movies and museums and beaches and parks and restaurants – all things they didn’t have in Baker County.

I told them black people could register to vote in California without any problem of any kind. In fact everyone was encouraged to vote.

At that moment I realized that, yes I could teach people how to read and I could walk with them into the courthouse to register to vote, but my real value was I was able to show everyone in the South, black and white, the possibility of a different world.

I do know that, in 1965, not one person of color was registered to vote in Baker County GA. As much as we demonstrated and sang and called Washington and went to jail, we never could get anyone registered to vote in that summer of 1965.

I also know that, in 2008, half of the registered voters in Baker County GA were African-American and that Obama carried the County when he won the Presidential election.

January 12, 2013

What Say You: Marion Davies Celebration

Nicole DeSilva and Dylan Regalado
Photo courtesy Bart Bartholomew
SUSAN CLOKE
Columnist
Santa Monica Mirror


The Annenberg Community Beach House was a really fun place to be on Sunday, Jan. 6. About 300 people were there to celebrate the anniversary of the birthday of Marion Davies. It was a party but it was also serious. We were there to honor our City history, the buildings of Julia Morgan, the success of the new Beach House and the famous Santa Monica resident Marion Davies.

The Santa Monica Conservancy hosted the party. The Guest House, designed by the renowned California architect Julia Morgan, was filled with people in period costume listening to stories of Marion’s life.

As guests sat on comfortable sofas they looked out at the Pacific and listened to Ruthann Lehrer, the Chair of the Conservancy Program Committee. She portrayed Marion’s mother, Rose. Speaking as Rose she said, “Marion was a generous spirit who loved her family. She also loved pranks and could be very silly and she wasn’t interested in school. However she excelled at ballet and tap. With older sisters in vaudeville, Marion decided to do the same. Tall, blue eyed, slender, and vivacious she became a celebrated showgirl with the Ziegfeld Follies.

“William Randolph Hearst was 52 and married with five sons when he spotted Marion on stage,” she said. “She was 18 and dancing with the Ziegfeld Follies and he was smitten. He was to love Marion for his entire life.

“Marion was already an experienced actress when Hearst became interested in the movie business. He started a film company with Louis B. Mayer and Marion Davies became his leading lady.

“In 1924 he bought 750 feet of prime beach frontage, hired Julia Morgan to design the mansion, the guest house and the pool. He built a dream house and he gave it to Marion. He was always giving her fabulous gifts and some would say it was to make up for never being able to marry her.”

Charlie Chaplin met Marion Davies when she was a Floradora girl with the Ziegfeld Follies and starred in “The Floradora Girl.”  The talented Phyllis Bernard ably played Chaplin.

“I soon became her good friend,” said Bernard speaking as Chaplin. “We went to parties and dinners together. We made comedic home movies with our neighbor Harold Lloyd. Our friendship pleased Hearst but it also made him jealous. One time he hired a private detective to spy on us and Marion was so angry that Hearst and she nearly separated.

“Hearst was a conservative, a powerful conservative. One out of four Americans got their news from a Hearst source. Louis B. Mayer was a conservative.  I lived in America but I was a British citizen and I was a communist.  They would talk politics and Mayer would get mean but Hearst stayed polite.  Apparently it was okay to disagree politically but Hearst wouldn’t allow any other man to be romantically interested in Marion.

“And of course, many other men were interested. She was so pretty, so fun and so kind. We used to go to the Pier, ride the carousel and the roller coaster. She and Gable and I used to love to drive the bumper cars.”

Marion Davies also loved to dance and, in her honor, swing dance lessons were offered in the new beach house, designed by Fred Fisher to be both modern and yet refer back to the original Julia Morgan design.  All the partygoers got together in the new Beach House to toast Marion with champagne and to share birthday cake.

Marion Davies was a talented and beautiful woman. She was also a good businesswoman and a loyal friend. Throughout her life Davies was a generous philanthropist and would often give money without letting anyone know she was the donor.

Davies lived in a different era and her own times were not always kind to her. She was Hearst’s mistress and that was a scandal. He only published rave reviews of her work and she felt that diminished her as an actress. It contributed to her ending her acting career. Although by that time she had made 29 silent films and 16 talkies.

Carol Lemlein, the President of the Santa Monica Conservancy, said, “Marion Davies frequently gets a bad rap. Yet she was a wonderful person, generous to her family and friends and a great philanthropist.”

I say it’s time to rethink our view of the life of Marion Davies.

What Say You?

January 5, 2013

The Gift of Music: SMYO and Shab Fasa

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SUSAN CLOKE
SMYO Concert December 16, 2012 Virginia Avenue Park
Columnist
Santa Monica Mirror
January 4, 2013

The audience was hushed and proud with good reason.  They were the parents, family, friends and supporters of the student musicians playing the first Holiday Concert of the new Santa Monica Youth Orchestra. (SMYO)
All Santa Monica students are welcome to join the orchestra.   To be a member of SMYO you need to be a student at a Santa Monica public school, private school or live in Santa Monica and be home schooled.  The founder of SMYO, Shabnam (Shab) Fasa, said, “We don’t audition.  We take everyone.  We don’t ask anyone to pay.”
SMYO is based on El Sistema, a government sponsored program of music education in Venezuela.  Los Angeles Philharmonic’s beloved conductor Gustavo Dudamel is originally from Venezuela, had studied with El Sistema, and made starting a youth orchestra in Los Angeles a part of his contract with the LA Philharmonic.   El Sistema music education goals are to teach students to make and love music and to become members of the international community of music.  Fasa had the opportunity to work with Dudamel at the Youth Orchestra of LA and that gave her the confidence to start the SMYO.
Shab Fasa works as a Manager for Community Corp in Santa Monica.  She studied at SMC and then went on to get a degree in Ethnomusicology from UCLA.
She was born in Iran.  Her mother, who had studied at Berkeley, left Iran because of the revolution and brought her family to Denmark where they were granted political asylum. 
In Denmark, as part of her schooling, her mother gave her a choice, “Study the piano or study the violin.”  She chose the violin because she wanted to be able to carry her instrument and because she fell in love with the Brahms Violin Concerto.
“The cool thing about the symphony for kids is that they become part of a collaborative body of sound.  You are dependent on everyone else in the orchestra to be able to make a great sound.  It makes you humble and it makes you proud at the same time.” said Fasa.
“I felt part of the community in Denmark because I was a violinist.  The feelings of togetherness in an orchestra bring people together across boundaries.”
She and her family moved from Denmark to the US in 2002 and, after trying a few other places, landed in Santa Monica.   Fasa said, “I did my research and Santa Monica is where I wanted our family to live.”
In January of 2012 she and Julius Carlson and Damian Berdakin, the original music mentors of the SMYO, held their first rehearsal.  “We invited 400 kids and 9 kids showed up!”
There are now 49 student musicians in the SMYO.  Their conductor, Clarinetist Ryan Dedenbostel, recently came to Santa Monica from his job at New York's Manhattan School of Music.  Shab Fasa is the founder of SMYO, a violinist and the violin instructor.  Bassist, cellist and luthier Gabriel (Gabo) Golden mentors the cello students.  He studied at Oberlin Conservatory of Music and at the USC Thornton School of Music and performs with Les Surprises Barogque and with Tessarae.  Musicologist and classical guitarist Julius Reder Carlson mentors the students and teaches the history of music.  He studied at the University of Chile and at UCLA and is the editor of UCLA's Ethnomusicology Review.
With their conductor in front of them and their mentors interspersed among them, the students began an almost 2 hour rehearsal.  It got off to a cacophonous start and I watched with admiration as Dudenbostel gently, carefully, charmingly and with demanding expectation brought the students together into an orchestra.
The concert opened with a holiday medley of Joy to the World, O Come All Ye Faithful, Hark the Herald Angels Sing and Silent Night.  They then played “In the Bleak Midwinter” by Gustav Holst and closed the concert with selections from Tchaikovsky’s Nutcracker ballet. .
As a treat for the students and audience alike the conductor and the mentors brought out their own instruments and played a gorgeous interpretation of Rock of Ages.
The gift to the students is the gift of learning music.  Through music study they learn focus and concentration, learn about the music of their own and other cultures, and as Fasa thoughtfully said, “The students learn to access their own inner world and to have respect for their own imagination and for being able to be with each other.”
The people working to make all this possible are Board Members Dorothy Chapman, Deborah Bogen, Betsy Hiteshew, Melissa Sweeney and Irene Zivi, the Cultural Affairs Department of the City, the Boys and Girls Club and the families of the student musicians.

The afternoon was a gift of music for all of us in the filled to capacity Thelma Terry Center at Virginia Avenue Park.  It is a gift of generosity from the teachers and mentors and supporters.  It was a gift of inspiration to take with us into the New Year.